Since their mother Fanny left, Emma has taken care of the Butler children, Sarah and Frances. She wants to raise them to have good hearts, as a rift in morals has ripped the Butler household apart: Sarah and their mother oppose the inhumanity of slavery while Frances and their father Pierce believe in the Southern lifestyle and treatment of blacks. Now, to pay off mounting gambling debts, Pierce decides to cash in on his "assets" and host the biggest slave auction in American history, at the price of his humanity. During those two days in Georgia, the skies weep on the proceedings below, for although Butler promises Emma's parents not to sell her, money, desperation, and greed enable him to justify his any misdeed.

Jeanne Wakatsuki was seven years old in 1942 when her family was uprooted from their home and sent to live at Manzanar internment camp--with 10,000 other Japanese Americans. Along with searchlight towers and armed guards, Manzanar ludicrously featured cheerleaders, Boy Scouts, sock hops, baton twirling lessons and a dance band called the Jive Bombers who would play any popular song except the nation's #1 hit: "Don't Fence Me In." Farewell to Manzanaris the true story of one spirited Japanese-American family's attempt to survive the indignities of forced detention . . . and of a native-born American child who discovered what it was like to grow up behind barbed wire in the United States.

onas's world is perfect. Everything is under control. There is no war or fear of pain. There are no choices. Every person is assigned a role in the community. When Jonas turns 12 he is singled out to receive special training from The Giver. The Giver alone holds the memories of the true pain and pleasure of life. Now, it is time for Jonas to receive the truth. There is no turning back.

A powerful collection of essays from actors, activists, athletes, politicians, musicians, writers, and teens, including Senator Amy Klobuchar, actress Alia Shawkat, actor Maulik Pancholy, poet Azure Antoinette, teen activist Gavin Grimm, and many, many others, each writing about a time in their youth when they were held back because of their race, gender, or sexual identity--but persisted.

The Wave is based on a true incident that occured in a high school history class in Palo Alto, California, in 1969. The powerful forces of group pressure that pervaded many historic movements such as Nazism are recreated in the classroom when history teacher Burt Ross introduces a "new" system to his students. And before long "The Wave," with its rules of "strength through discipline, community, and action, " sweeps from the classroom through the entire school. And as most of the students join the movement, Laurie Saunders and David Collins recognize the frightening momentum of "The Wave" and realize they must stop it before it's too late.

For Fatima and the other unseen children of Hussain Khan's carpet factory, Iqbal Masih's arrival is the end of hope and its beginning. It is Iqbal who tells them that their family's debt will never be cancelled, no matter how many inches of progress they make in their rugs, no matter how neat the knots or perfect the pattern. But it is also Iqbal who is brave enough to talk about the future. "Fatima," he promises, "next spring you and I are going to go and fly a kite. Remember that, whatever happens." This is the story of the real Iqbal: a courageous thirteen-year-old boy who knew that his life was worth more than a rug, that chaining children to looms to work hours without rest was not right, and that there was a way to stop the abuse.